She has taken part in exhibitions (Documenta 14, 2017, Venice Biennale of Art, Cyprus National participation, Arsenal 1986 and Architecture, Cyprus and Greek National group participation, 2016, 2006, 2004), she created public projects (Kerameikos, Athens, Fatima, Portugal, Futuroscope, Poitier) and gave lectures in various institutions. Relevant collaborations with museums (MAMC, Musée d'art moderne et contemporain, Saint Etienne, Musée des Beaux Arts de Lyon, Benaki Museum, Athens, EMST, National Museum of Contemporary Art, Athens, Sungkok Museum, Seoul, Bozar: Palais des Beaux-Arts, Brussels) keep renewing her work’ s perspective enriching it with social and political concerns giving emphasis to “the power of fragility”. Her collaboration with AA & U For Architecture, Art and Urbanism has given her the possibility to address such issues on an interdisciplinary level.

What is the value of an exhibition in public places?

First of all, I appreciate the fact that an exhibition in a public place does not speak to all artists as a concept. A prerequisite for this is a genuine interest in public affairs. At the same time, when exhibiting in a public space, you need to be concerned with who uses it, how light travels through it, and the history behind it. The biggest difference between an exhibit in a gallery and one in a museum is that, in a public space, the passer-by will see it in front of them, all of a sudden. Encountering it won’t be a matter of choice.

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